I recently found a fun 1980
House & Garden article in which top designers were asked to define comfort. Not surprisingly, most designers linked comfort to comfortable seating, including Billy Baldwin, whose Nantucket bed-sitting room, seen above, exemplified the designer's notion that comfort is "a first-class upholstered chair and everything within easy reach."
Designer Robert Lewis, with whom I'm not familiar, also believed comfort involved a well-upholstered chair, but comfort was atmospheric, too: "Wonderful fabric, herbs, flowers, good music- a place to unwind."
For Michael Taylor, comfort was "a seating arrangement that really works." One such successful arrangement can be seen here, on Taylor's own terrace. The wicker furniture was also designed by Taylor.
I agree wholeheartedly with William Hodgins' thoughts on comfort: "A casual stuffed sofa and a good mystery book." I could easily relax- and read mystery novels- in this room designed by Hodgins.
No surprise that Denning and Fourcade showed rather elaborate upholstered chairs to illustrate comfort. For Denning, it was "a chair where you can slump, put your feet up and make a telephone call," while Fourcade called for "a chair that you can sink into so that it completely enfolds you."
"Easy-to-move extra chairs that make your furniture arrangement flexible," said designer John Dickinson. Such an important design consideration, and one that Dickinson acknowledged in his San Francisco home, above.
For Mario Buatta, comfort was linked with scent. "A good piece of furniture, with pillows to rest your feet on- and a wonderful fragrance in the air." In this photo of Buatta's home, you will find Freesia, potpourri, and pomander balls on the table next to the fireplace.
For Bob Patino, comfort was a soak in a "large deep tub full of hot water."
And finally, for Sister Parish, comfort meant "a room where one can relax and have tea with friends," something which, by the looks of it, she could do easily in her bedroom.
All photos from House & Garden, February 1980.
