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Alexa Hampton for Hickory Chair

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I was in High Point last week to attend Fall Market, and I thoroughly enjoyed myself. So much to see!

One collection that especially caught my eye was that by Alexa Hampton for Hickory Chair. I had seen photos of the collection a while back, but at the Hickory Chair showroom in High Point, I saw Alexa's collection in a whole new light. Alexa had decorated her showroom space with snappy prints, velvets, and chintz, mostly in shades of purple and green.  It was just the right combination of prints and color to help wake up these weary eyes, which had seen lots of furniture that day.  But what impressed me even more was the apparent effort and hard work that Alexa had put into her vignettes. 

Walking through these rooms was like taking a pep pill full of energy, inspiration, and pizzazz.









All photos taken by Jennifer Boles for The Peak of Chic

Book Signing at Laura Pearce

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Regular blogging will resume shortly, but in the meantime, I want to invite you to join me for a book signing at Laura Pearce Ltd., one of Atlanta's premier fine jewelry boutiques.

The event will take place next Tuesday, November 5 from 11 to 3pm. Please come by to say hello and to peruse the beautiful baubles and exquisite estate jewelry.  You'll find all kinds of great jewelry, including pieces by Monica Rich Kosann, Elizabeth Showers, and Katie Decker.  (Trust me, you'll be writing Santa a letter or dropping some major hints to your hubby after you visit Laura's shop.)

For more information, see the invitation above.  Please RSVP to ajamison@laurapearce.com or call 404.350.9207  

Book Signing Events

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Just want to keep you posted on some of my upcoming book signing events.

Next Tuesday, I will be signing books at Laura Pearce Ltd. from 11am-3pm. During those hours only, Laura Pearce will be selling my book at a pre-holiday discounted price of $22 per book.  This will be a great opportunity to take care of your holiday shopping, especially if you plan to buy my book for client gifts.

For more information and to RSVP, please see the invitation above.





And if you live in the Charlottesville, Virginia area, I hope that you'll come to my book signing event on Wednesday, November 6 at the Caspari flagship store on West Main Street.  I love Caspari, and if you ever visit me at my home, you'll likely be served a cocktail with a Caspari cocktail napkin beneath it.  I'm really thrilled that Caspari is hosting this event, and I do hope to see some of you there!

Please see above for additional information on this event. 

For Will

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My friend, Will Merrill, and I were recently discussing some of the more photographed designers of the 1970s. One name that Will mentioned was Charles Dear, a designer who, though not well-known today, was once featured in shelter magazines on a rather frequent basis. I recognized the name for I have seen Dear's work from time to time in some of my old magazines and books, but I know little about him. In fact, I tried to do some online research before posting this, but very little information can be gleaned.

Yesterday, as blogger panic disorder set in while I was trying to figure out what the heck to write for this post, I picked up a January 1971 issue of House Beautiful, and lo and behold, Charles Dear's Southampton home was featured. The house, which won the American Institute of Interior Designers' 1970 Eastern Region Award, was referred to as a "miniature French manor" by the magazine. The home's interior is peppered with popular design elements of the '70s, including Mexican tile floors, sliding glass doors, bold pattern and splashes of lime green. But if you look past the bright colors and bold prints, you'll find an interesting mix of antiques and modern furnishings, including now-classic Bielecky Brothers cane chairs in the dining room, a John Vesey leather and steel chair in one of the bedrooms, and a Triennale floor lamp by Arredoluce in the living room.  Actually, there is quite a bit that's classic about these interiors.

So, Will, this post is for you and anyone else who was a fan of Charles Dear's work.





The living room, above, had layers of pattern, most prominently seen in that rug.  To the right of the sofa, above, was a Triennale lamp that got cut out of the photo scan.



In the guest room, you can see the John Vesey leather chair to the left.




Dear, who was an avid gardener, chose floral prints for his bedroom.



The dining room was a rather simple affair, appropriate for the house's casual feel. The Bielecky Brothers cane chairs are classics.


The kitchen with yet another Bielecky Brothers cane chair.




All photos from House Beautiful, January 1971.

Curtain Call

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While I was in Greensboro, North Carolina a few weeks ago, I visited The Pink Door, a charming antiques and home accessories shop. There was a lot there that caught my eye, but what really struck my fancy were the rather elaborate and, yes, traditional curtains that hung from each window.

One room had curtains that were made of oyster-colored silk which had been fashioned into swags, tails, bows, rosettes, and ruffles. (You can see one of the curtains above.)  While I realize that for many people, this type of curtain has gone with the wind, I find it utterly charming.  These curtains were different from what we typically see today, something which probably heightened their allure for me.  They were proper, dressy, and a little fancy- basically, the antithesis of what people seem to want these days.  But more than anything, these curtains represent a bygone era in design that I miss terribly.  They spoke of the good old days of decorating.

Now, I don't think that this blog post is going to cause anyone to run out and ditch their plain curtain panels for swags and tails, but I do wish that people would start to reconsider certain elements of formal, traditional curtains.  Tailored swags, rosettes, pinked edges, and a few bows here and there don't have to look terribly fussy, especially when crafted of solid-colored fabrics.  Deeda Blair had swagged and bow-bedecked curtains in her home in Washington D.C.  And who can forget those magnificent curtains that John Fowler designed for the Bruces' set at Albany?  In fact, The Pink Door curtains kind of remind me of the Bruces' curtains, though on a much smaller scale.

Well, even if this blog post falls on deaf ears, I say kudos to The Pink Door for being such a stylish, chic shop, all within the confines of some very swish curtains.



Deeda Blair's curtains, which are so feminine and elegant.




The famous John Fowler curtains in the Bruces' drawing room, Albany.




A John Fowler curtain sketch.




Pretty curtains, designed by John Fowler, in Jill Chandos-Pole's bedroom at Radburne.





Mario Buatta is also adept at designing some very pretty curtains.



Top photo by Jennifer Boles for The Peak of Chic; Fowler photos from John Fowler: Prince of Decorators by Martin Wood; Buatta photo from Mario Buatta by Mario Buatta and Emily Evans Eerdmans.

Time to Get Planting

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I recently received a lovely gift of two Amaryllis bulbs, which will bloom great big red blooms come December. That is, if I make haste and plant the bulbs in their pots right away! In fact, these bulbs were a much appreciated gift as I was recently thinking that I needed to get my act together and start planting Amaryllis, Paperwhite, and Hyacinth bulbs in anticipation of the holidays, when the more blooms there are inside a house, the more festive the house appears.

I gathered up photos which show interiors that were made homey by pots of blooming flowers. I love the big burst of color that an Amaryllis provides, while I appreciate Paperwhites for their delicate little blooms and their elegant fragrance. (Not everybody likes the fragrance of Paperwhites, though; my parents think that they smell like an electrical fire.) And Hyacinths! What can I say? Their sweet fragrance instantly puts me in a good mood.

So, that's it for now. I'm off to do a little potting. Once your Amaryllis and Paperwhites start to bloom, send me photos.  I would love to see them. 

PS- As much as I love a fancy cachepot, I think that these particular blooms look best in plain terracotta pots or baskets.




The three photos above came from A Tiffany Christmas by John Loring. Don't they put you in the mood for Christmas?



Sister Parish had Paperwhites in her entry hall...


...and Hyacinths in her living room.




There were quite a few pots of Amaryllis in this photograph of Greentree, the Whitney's Long Island estate that was decorated by Parish-Hadley.



Amaryllis also dotted this Parish-Hadley designed Manhattan dining room, which was inspired by Liselund in Denmark.



A solo burst of crimson in the club room at 44 Berkeley Square, Mayfair, which was decorated by John Fowler.



A blue and white bowl of Paperwhites in a blue and white room by Colefax and Fowler.





Amaryllis, Paperwhites, and Hyacinths graced three different Mario Buatta-decorated homes, above.






They also appeared in homes designed by another great, Keith Irvine.

A Very Caspari Holiday

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Last week, Caspari hosted a book signing for me at their lovely Charlottesville flagship store. I really enjoyed meeting everybody, including a very nice mother and daughter who drove in from Richmond to see me.

Walking through the Caspari store is like being a kid in a candy shop. Everywhere you look, there are charming vignettes filled with all kinds of stylish goods, from tabletop and home accessories to fashion, books, and gourmet food. In addition to featuring the full range of Caspari's paper goods, the store also sells such lines as Kim Seybert, Juliska, Alberto Pinto, and more. Believe me, after you see how well Caspari's paper napkins and plates go with Juliska flatware and Alberto Pinto china, you will likely be inspired to incorporate paper into your table settings.

The shop has just recently been decked out for the holidays, so there is plenty of inspiration for holiday entertaining and decorating. My favorite collection in the entire store? Hands down, Caspari's Wild Christmas collection, which features leopards and zebras wearing wreaths around their necks. How appropriate that the store's display of Wild Christmas was being watched over by some very stylish leopard dummy boards.
    






















All photos taken by Jennifer Boles for The Peak of Chic

Please Join Me in New York

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Next week, I'm heading to New York, where Donghia and Hearst Design Group will be hosting my New York book launch.  The event will take place on Thursday, November 21st from 6-8pm at the Donghia Showroom (D&D Building).  I would really love to see all of you New Yorkers with whom I correspond.

Kindly RSVP to donghia@cjandco.com.  I hope to see you next week!

A Man of Mystery

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When I was in a used bookstore the other day, I found this Sotheby's New York auction catalogue, dated October 26, 1990.  I admit that the auction catalogues that intrigue me most are those which feature interiors on the cover, and this particular interior especially intrigued me.  The room was very elegantly appointed, and yet, quite cozy looking too.  The catalogue cover had me wondering just who the collector was who had lived in such refined surroundings and amassed such refined pieces.

Unfortunately, the catalogue did little to answer my question.  The auction title itself, "Property of a European Foundation", implies that the collector, or perhaps his foundation, wished to maintain a certain amount of anonymity.  The catalogue's introduction, written by Derek Ostergard, did little to lift the veil of secrecy, with Ostergard referring to the man in question simply as "a contemporary collector" who was noted for "his degree of connoisseurship". 

One clue is that the auction and its catalogue were given the designation, 6078 "Weltkunst".  A Google search shows that there is a Weltkunst foundation, not to mention a German decorative arts magazine titled Weltkunst.  Perhaps there is a connection?  Also, the back cover of the catalogue featured an illustration of the drawing room, which appears to have been decorated for Christmas.  The illustration is reminiscent of those by Serebriakoff, although the artist's signature, partially visible in the bottom right corner, shows that it was not done by Serebriakoff.  And one more thing: the interiors have a number of Colefax & Fowler flourishes, including a trefoil-shaped ottoman and Bowood chintz in the drawing room and a Rocksavage-like print carpet in the guest bedroom. (I can't tell if it's actually Rocksavage or a similar print.)

If you know who the collector was, I would appreciate it if you would let me know.  Even if I never get the bottom of this, this much I do know: the collector was a man of great style and taste.


The Drawing Room







The Master Bedroom to the left and Guest Bedroom to the right




The Library




Colonel George Fergusson Henry Bey at the Sultan's Court by Guillaume Francois Gabriel Lepaulle, 1846, was one of the lots that was auctioned off.



Another view of the Drawing Room




A Vieux Paris Porcelain Centerpiece, Samson White Biscuit Mantel Clock, and two French porcelain boat-form inkwells, also featured in the auction.




A Five-Piece Chinese Blue and White Garniture set, Kangxi; this lot must have been displayed in the collector's library, don't you think?



An important Louis Philippe Four-Fold Silk Royal Tapestry Screen, Gobelins, c. 1830




An Italian Neoclassical Ormolu-Mounted Mahogancy Bookcase, early 19th century



December flower

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I'm going to take a brief break from blogging while I'm on my book tour, but before I do so, I want to mention that I wrote an article that appears in the new December issue of flower magazine. 

Have you seen flower yet?  If not, go buy yourself a copy because you're in for a real treat.  The December issue features great articles on Alessandra Branca, Carleton Varney (who has a new book coming out next month, Decorating in the Grand Manor: A Design Memoir), and the Antiques and Garden Show of Nashville, which celebrated the life and legacy of Albert Hadley earlier this year.  (That's the article that I wrote.  The Albert Hadley connection made writing this article a real dream for me!)  And, as the magazine's name suggests, there are many photographs of beautiful gardens and flowers that grace flower's pages.

So, until I return Thanksgiving week, happy reading and see you soon.

Today's New York Times

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What a thrill to wake up this morning and find an article about my apartment and me in today's Home section of the New York Times.

Penelope Green wrote a really nice article that captured my love of the great designers.

To read it, click here.

And a Happy Thanksgiving to you all!

Book Tour, Part II

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I want to mention a few of my upcoming book signing events in hopes that some of you will be able to attend.

Online:

Thursday, December 5: I will be joining the Washington Post's Jura Koncius for her popular weekly Home Front online chat at 11 a.m.  I will be answering questions about both my book and interior design.  Please submit your questions and be part of the discussion via the Home Front page.

Atlanta:

Thursday, December 5: The Home for the Holidays show house will be hosting a Sip and Sign event from 5:30 to 7:30. I will be signing copies of my book alongside a number of other Atlanta authors. This is a ticketed event. For more information, click here.

Tuesday, December 10: I will be signing copies of my book at the Swan Coach House Gift Shop from 12:00-2:00pm. If you live out of town and would like to obtain signed, personalized copies of my book, you can call the Swan Coach House Gift Shop directly to place your orders. (Shipping charges will apply.) Please call (404) 261-0224 Monday-Saturday 10am-4pm.

Charlotte, North Carolina:

Saturday, December 7: Join me at Mrs. Howard from 12:00-3:00pm where I will be signing more copies of my book.  Please RSVP to charlotte@jmhoward.net or call 704-376-8900.


There's No Place Like Home

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Typically, it's while traveling when we most appreciate the comforts of our homes.  I have been on the road for the past month or so, and although I have thoroughly enjoyed my travels (and I have much to share over the next few weeks,) I always say, with apologies to Dorothy, "There's no place like home."

Perhaps this is why I was so compelled by this gem of an article, written and illustrated by the esteemed illustrator and author Philippe Jullian for the March/April 1975 issue of Architectural Digest.  Titled "Dans Mon Moulin", the brief article is more like a handwritten and illustrated note, one which expressed the fondness that Jullian felt for his French country house.  Considering that Jullian was known for his lively illustrations, it was entirely fitting that the house's interiors were captured in watercolors rather than photographs.  Jullian's interior illustrations convey a charm and a magic that no photograph could ever duplicate.  (Illustrations do have a way of imparting personality to inanimate objects, which is probably why I insisted that my book feature my sister's illustrations alongside interior photographs.)

But it's Jullian's text, reproduced in his own script, that also makes this article so endearing.  It is breezy and concise, and it reads a little like a list of attributes that made the author's house special to him.  And yet, it is the text's simplicity that is so refreshing today, when many houses are made to seem grander and far more serious than they really are.

Read it for yourself below.  The piece just might inspire you to pen a note extolling the virtues of your home.  Or, at the very least, it might inspire you to improve your penmanship!


When I found this romantic house next to a small river, it was almost in ruins.

Four years have succeeded in making it comfortable, but it hardly looks new.  That suits me, for I have a good deal of provincial Louis XVI furniture inherited from my family.

And I spend a lot of time in the antiques shops and flea-markets of London and Paris.  I live in what seems to my interior designer friends a rather Dickensian "Old Curiousity Shop."  The walls are covered in old damask or in East Indian printed materials from the eighteenth century.

I also have a large tapestry made from a design by Rubens.  A light touch is added by fuchsia and geraniums in blue and white china pots.

There are books everywhere and pictures too: prints along the staircase and in the gallery, Chinese paintings and bamboo furniture in the bathroom.

There is always a big fire in the living room to keep out the dampness.  These are some of the ingredients which give my house a kind of charm, since I have made no particular effort to use a consistent color scheme or any careful interior arrangement.

The house is twenty-five miles east of Paris, and it is where I write all my books.  It is always filled with flowers from my garden.

Philippe Jullian 




The Garden Room- An Empire bust, porcelain vases and a mirror to reflect the park outside.





The Library- once part of the old barn this room is filled with my books and many old prints. There are Japanese cabinets, a Victorian church carpet and a Dutch brass chandelier.





My Bedroom- the Louis XVI fireplace, with a terra-cotta bust on the mantel and the brass bedwarmer leaning against it, is my favourite part of the room.


Image at top: "The Drawing Room- Baroque marble statues on a wooden Louis XVI mantel; the golden damask hangings are from a Rothschild house."

Get Ready to Shop

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I hope that you've been nice this year. Santa just might bring you a Christopher Spitzmiller lamp for Christmas...and purchased at a discount, too. Christopher has announced a seconds sale that begins today and runs through this Friday.  You can see the curated collection of seconds lamps at his studio or on his newly redesigned website.  (If you visit the website, be sure to watch the video of the lamp-making process.  You'll begin to understand just why these lamps are so special.  It's really a mesmerizing process.)

And if you've been naughty this year, well, go ahead and treat yourself anyway!

It's Splendiferous

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Those of you who have read my blog over the years know that I am a fan of the work of Zajac & Callahan.  Edward Zajac, along with his late partner, Richard Callahan, set the decorating world on fire during the late 1960s, 1970s, and 1980s thanks to their bold interiors, which were often furnished with confident color and even more confident-looking prints and patterns.  And perhaps even more notable was the design duo's custom designed furniture and objects, which could be described as unusual, dashing, and downright good-looking.  It's no surprise that many design aficionados clamored for these pieces when they were auctioned off by Bonhams last year.

A few weeks ago, I was in Philadelphia giving a lecture to a women's club, and while there, two very stylish Philadelphians, Dottebob and Reva, mentioned the work of Zajac & Callahan to me.  It seems that they too were fans of the designers.  And then, just a few days later, I had the opportunity to actually meet Mr. Zajac, who was kind enough to attend my book party at Donghia. (You can see the two of us, above.)  Needless to say, that was a real thrill for me.

My week of Edward Zajac reminded me of a few photos about which I had been meaning to blog.  It seems that back in the mid-1960s, Zajac & Callahan decorated a chichi women's clothing store named "Splendiferous".  Opening in 1963 on Manhattan's Third Avenue and expanding in 1967 to a second location at 16 East 56th St., Splendiferous was evidently the last word in women's fashion.  Owned by Jerry Goldfarb and Terry Ryan, the store sold fashions by Oscar de la Renta, Kenneth Douglas, and Rudi Gernreich, just to name a few designers.  In fact, Splendiferous was at the vanguard of daring fashion, having sold 77 of Gernreich's infamous topless women's bathing suits- more than any other store in this country.  And the various departments within the store had catchy names.  Handbags were sold in the "Moneybags" department, gourmet food in "Posh Knosh", and lingerie in "Underneath It All", while sale items were relegated to the "Nobody Loves Me" section of the store.  It seems that Splendiferous was popular with the well-heeled crowd, with customers like Jacqueline Kennedy (whose purchases included brown crepe culottes trimmed in ostrich feathers and a Rudi Gernreich Shaker knit dress), Princess Margaret, and Evangeline Bruce frequenting the store.  Did they shop there because of the clothes?  Or was it because the salespeople were men with then-fashionable long hair?

Clever marketing aside, it was the E. 56th St. branch's decoration by Zajac & Callahan that seems most memorable- along with those Rudi Gernreich bathing suits, of course.  The store's furbishment cost $150,000, which paid for such features as a water fountain that held 9,000 colored marbles, a glass elevator, and Zajac & Callahan's signature patterned fabrics and wallpaper. I wish that I could show you photo after photo of the store's interior, because I have a feeling it was really something else.  However, Splendiferous photos are hard to come by.  I managed to find a scant three photos of the store, which had been featured in the September 1967 issue of House & Garden.  I am assuming that these photos show the 56th St. location rather than Third Avenue. 

Alas, all good things must come to an end.  Goldfarb and Ryan shuttered the business in 1973 and moved to Florida.  In 1999, they opened another boutique, this one located in Delray Beach, Florida.  Its name?  I Love Dazzle.  I can't determine if that shop is still in business or not.

I know that the Splendiferous photos seen here don't really capture the store's interior in all of its glory, but they certainly have piqued my curiosity.  I'm going to continue to search for more images.  But, in the meantime, have a look at what was once Manhattan's most cutting-edge fashion emporium.








Image at top: Photo courtesy of Editor at Large.  Remaining photos from House & Garden, September 1967.

Celebrating Sukkot with Jonathan Preece

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Many of you likely remember my blog posts that featured Jonathan Preece's beautiful holiday decorations. Jonathan, who is Creative Director and Special Projects Designer at Bunny Williams Inc. and Bunny Williams Home, has become a go-to person for creative and well-researched holiday decor. Over the years, Jonathan has done Thanksgiving tables, Passover tables, Saturnalia-themed vignettes, and Christmas decor.  And now, we have Sukkot to add to the list.

In 2006, long-time clients of Bunny Williams decided to expand their Park Avenue apartment by buying the penthouse above them.  Bunny was responsible for the decoration in this newly combined apartment, which you'll likely remember as it made the cover of Elle Decor in 2010.  During the renovation process, the clients requested that part of the apartment's rooftop terrace be set aside for the annual assembly of a Sukkah, in which they could celebrate the Jewish holiday, Sukkot.  (Click here to read the Wikipedia entry on Sukkot.)

Bunny recommended to her clients that they engage Jonathan to create and decorate the Sukkah, and they readily took her up on her suggestion.  First, Jonathan created a tent in which the clients could host their Sukkot dinners.  The tent is quite small, measuring little more than 8' X 10'.  The exterior, which you can see above, was made of 19th century raw silk linen bed hangings that are embellished with strie ribbon detail.  (The hangings were part of an antique canopied bed that Bunny Williams purchased from an English estate sale.)  A Sunbrella waterproof "rain coat" was made for use in inclement weather, which can be fitted over the silk linen hangings.  The inside of the Sukkah changes from year to year.  A few years ago, Jonathan purchased twenty Queen-sized printed Indian bedspreads from Urban Outfitters and hung them on the tent's interior walls in a pinch-pleat fashion.  Most recently, Preece chose to adorn the interior walls with something more durable: canvas murals painted by artist Liz Fleri.  The murals were meant to make guests feel as though they were seated in a wooden structure while looking out to the desert beyond.  The mural's imagery was inspired by 19th century Orientalist art, while the paintings' style was evocative of the work of Chagall.

Jonathan informed me that the Sukkah's ceiling must always be made of natural material, hence his use of bamboo for the ceiling.  Also, tradition calls for three stars to always be visible from within the Sukkah.  During the first Sukkot celebration, Jonathan hung mercury glass stars within the tent, while in later years, the murals, which featured three painted stars, satisfied this religious requirement.  And finally, the Sukkah beams are always covered in a decorative technique known as Schach, which is comprised of natural materials like fruit, leaves, and flowers that are representative of the Harvest.

There are many other religious symbols that can be seen in these photos.  There is always a tied bouquet of Palm, Myrtle, and Willow, known as a Lulav, that is placed by the host's seat.  Also, you'll see lemons, which refer to the Citron fruit known as Etrog.  Together, the Lulav and Etrog are symbolic of the Four Species, which are the four plants that are part of the Sukkot ceremony.

Now, I'm sure that some of you are questioning the safety of this rooftop tent.  Well, Jonathan paid as much attention to that as he did the tent's decor.  The tent is tied-down and secured tightly, while the candles that you see in the photos are battery-operated.  It really does seem that Jonathan thought of everything.  And whether you celebrate Sukkot or not, I think you'll find a great deal of beauty in these photos, which span six years of the celebration of Sukkot.













All photos copyrighted Jonathan Preece and Elizabeth Swartz

A Decorative Remedy

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When I see baskets in use in luxe interiors, I am reminded of the (possibly apocryphal) story of the elegant international socialite who, when attending a party at the opulently-decorated Manhattan apartment of a nouvelle society figure, was said to have remarked, "It will take her a lifetime to understand baskets."

It could be said that baskets are decorative remedies that cure lofty interiors from looking too shiny and too rich. Whether they are used as cachepots or repositories for magazines or firewood, baskets add a down-to-earth touch in both grand and casual rooms alike. And the same could be said of baskets on dining tables, too.

Lately, I have been revisiting photos of elegant table settings which incorporate small baskets.  In most of these photos, the baskets have been put to use in their traditional role, which is to hold bread and crackers.  That's exactly what jeweler Jean Schlumberger did in the photo, above.  But there are also small, shallow baskets that have been employed in lieu of bread plates as well as basket-like sleeves, which cradle drinking glasses.  And then there is the elegant table setting, seen directly below, with its dramatic-looking silver candelabra and proper stemware.  Here, baskets were used as centerpieces to hold modest little mums.  Both help to tone down the formality of this table.

Considering that most of these photos were taken in France, I can only assume that the French must have good sources for such baskets.  Any thoughts on where we can get similar baskets here in the U.S.?




This majestic-looking dinner took place at l'hôtel Lambert and was hosted by Marie-Hélène de Rothschild. The table was set with "three Sèvres dinner services, Louis XIV glasses, eighteenth-century silverware, and vermeil dessert cutlery", all beneath a magnificent Le Brun ceiling. And still, there were baskets on the table.





The late Alberto Pinto certainly knew how to set a pretty table. Small baskets, which held bread, were placed at each place setting. Adding to the rustic charm were straw place mats.





I have shown this photo before, but it's worth showing again. For her working lunch table setting, Primrose Bordier used Philippine baskets for chargers and Japanese hot-towel baskets for bread plates.





In the South of France home of Dick Dumas. Note the small terracotta pots that hold cigarettes. Terracotta works just as baskets do by adding a casual note to one's table.





In the Paris home of Carole and François Rochas





Barbara Wirth set a charming, casual table that celebrated Summer's bounty. Baskets were filled with cherries, strawberries, and some delicious looking radishes.



Rochas photo from R.S.V.P. by Nan Kempner; Pinto photo from Table Settings by Alberto Pinto; the remaining photos from The Elegant Table by Barbara Wirth.

Christmas 1967

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I was looking for some holiday decorating inspiration in my old magazines, and I consulted the December 1967 issue of House & Garden.  The holiday look that the magazine's editors were pushing that year was, well, not quite my look.  I'll get to that in a minute.

But first, I did find one photo that I think is perfection.  I was enchanted by this photo, which you can see above, because it shows a crèche.  I love crèches, and in fact, I still display one every Christmas.  But you don't really see crèches too often anymore, do you?

This crèche's figures were designed to appear modern and were made of gilded, draped burlap. But what might be more enchanting than the figures themselves were their backdrop: a wrought-iron structure, made in the Gothic style, which held laurel branches and small white lights. Amazing!

If the room in the photograph looks familiar, it might be because it was the East Room at the White House. The photo had been taken the previous Christmas. The magazine attributes the iron and branch background to floral designer Stephen Barany.  But guess who conceived the crèche as a whole? According to H&G, it was Mrs. Henry Parish and Albert Hadley.  No wonder it looked so good.

But going back to this issue's featured article: the trendy decorations for Christmas 1967 were "fantasies in crystal and light", which "have all the look of loot from the Snow Queen's palace".  I think that the decorations look like explosions of stars and pointy things, but then again, I'm a traditionalist when it comes to Christmas.  However, the photos' room settings, which had been decorated by Ellen Lehman McCluskey, were quite nice, so that helped matters.  And the decorations do have a retro charm to them now that forty seven years have passed.

Who knows?  I just might warm up to the idea of decorating with loot from the Snow Queen's palace.







Giving Thanks

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In addition to my book signing events that I have mentioned on my blog, I have also been fortunate to be the guest of honor at a few private events, too.  What has impressed me about these events is how creative their hostesses are. 

There was an event in Birmingham last month, which was hosted by Margot Shaw, Karen Carroll, Mary Evelyn McKee, and flower magazine.  The event was held in Mary Evelyn's lovely house, and all of the party's details, from the beautiful letterpress invitations (by Key Circle Press) to the delicious Southern delicacies (catered by Doug Richey) and beautiful flowers (courtesy of Sybil Sylvester), were perfection.   I wish that I had taken photos, but as often happens, I got so swept up with chatting with guests that I forgot to do so!  And by the way, if you've never been to Birmingham, you should do so.  Between its restaurant and design scenes, there is much to see and do!

Another recent event was a luncheon at The Acorn Club in Philadelphia.  Like the Birmingham ladies, the luncheon's hostesses, Dottebob Andes, Alix Jacobs, and Karen Cunningham, outdid themselves.  Take, for example, the whimsical vignettes that Dottebob created for table gifts.  I do have photos of these (see below), and you'll see that Dottebob's whimsies feature various entries from my book.  Can you imagine the time, effort, and creativity that went into these creations?

Now that I'm home for the holidays and have had a little time to reflect on the past few months, I realize how lucky I am to have such kind, generous, and talented friends.  I have also accepted the fact that I have a long way to go before my hostessing skills are on par with these ladies.















Alix Jacobs is a talented decorative painter, who painted the charming little box in this vignette. She also was responsible for making the vases which featured my book's dust jacket. (See below.)



Photos courtesy of Dottebob Andes and Alix Jacobs.

Merry Christmas!

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A Merry Christmas and a Happy New Year to you all! May Santa bring you camelback sofas, wing chairs, new refrigerators, and anything else your heart desires.

Thank you for your readership and your support in 2013.  It has been an exciting, busy, and exhausting year, and I couldn't have gotten through it without you.

Until we meet again in 2014, take care and Happy Holidays!

-Jennifer

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